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My Town (ALANG-ALANG, Leyte)

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Alang-alang is a 4th class municipality in the province of Leyte, Philippines. It is a landlocked province with an area of 151 km². It is bounded on the north by Barugo and San Miguel, on the south by Pastrana, on the northeast by Tacloban City, on the east by Santa Fe and on the west by Jaro. According to the 2000 census, it has a population of 41,245 people in 8,188 households.

On the way to Carigara is a steel bridge spanning the Mainit River. Soon after it is a smaller bridge. There was a time when only footpaths existed and when this river was too wide for a leap and too narrow to wade in, the traveler was undecided what to do. Hence the name Alangalang was given to the town, from the vernacular word “alang-alang” which means indecision.

 

LINGGANAY FESTIVAL

 

  The Lingganay Festival of Alang-alang town  was the champion last year’s Pintados Kasadyaan Festival, besting nine other entries from different towns of Leyte to win the P500,000 cash prize.

The Pintados-Kasadyaan Festival of Festivals will always be a showdown of the best dance contingents in Eastern Visayas and one of the best festivals in the country.

Though tension ran high during the grand parade, this year’s main festival was successfully staged at the Leyte Sports Development Center, where festivals from different towns in Leyte featured their most colorful displays of pomp and pageantry: participants garbed in bright-colored costumes dance to the rhythm of drums, trumpets, and native gongs.

Fifteen colorfully attired Kasadyaan contingents, representing festivals of the towns in Leyte, and 10 “pintados” (tribes) denoting the early settlers compete in the ritual dancing contest.

Early favorite Lingganay Festival of Alangalang, Leyte was this year’s grand champion in the Kasadyaan festival dance category. Lingganay is a pageant depicting  the legendary and mythical story of the bells.

Lingganay Festival received P500,000 cash prize and will vie in the annual Aliwan Fiesta, the country’s premiere festival competition during summer.

Placing second was the Karatong Festival of Dulag, Leyte. The Dulag contingent brought with them karatongs, a percussion instrument made out of bamboos that serves as signaling device by the natives of the town at the height of Moro raids. Karatong Festival also bagged the Best in Festival Music.

Pamilipig Festival of Sta. Fe, Leyte, a portrayal of the old tradition of making pilipig after rice harvest placed third.

Runners-up in the Kasadyaan category were Viajedores Festival of La Paz, Leyte; Tulo-usa Festival of Tolosa, Leyte; Batobalani Festival of Bato, Leyte; Lubi-lubi Festival of Calubian, Leyte; Tamyuk Festival of Tunga, Leyte; Tambula Festival of Babatngon, Leyte; and Lantawan Festival of Capoocan, Leyte.

In the Pindados-based category, one of the crowd favorites, Tribu Mangirisda, grabbed this year’s championship.

Tribu Kasarakyan and Tribu Bangkawanon, placed second and third respectively.

The Pintados-Kasadyaan Festival of Festivals is a merry-making event highlighting the Leyte Kasadyaan Festivals, the Pintados Festival Ritual Dance Presentation and the grand parade. These festivals are said to have began from the feast day of Señor Santo Niño.

The Leyteños celebrate a religious festival in a unique and colorful way. Since the Visayans are experienced in the art of body tattooing, men and women are fond of tattooing themselves.

The Pintados Festival displays the rich cultural heritage, incorporating native music and dances, of the people of Leyte and Samar. The Leyte Kasadya-an Festival of Festivals, meanwhile, showcases the unique culture and colorful history of the Province of Leyte.

about Habaynon Dance Corps

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The Habaynon Dance Dance Corps has its roots way back in 1995. The group’s name has evolved throughout the years. It was first named Ballet and Dance Arts, then Danceworks Company and now the HABAYNON DANCE CORPS. Habaynon is an acronym or a short-cut of “…Habi ng mga Waraynon”. HABI is a Filipino word which means to weave, an intertwine or a link. Then we have the word Waraynon which pertains to the different dances depicting the Waray-waray culture. Combining these two words gives the word HABAYNON which means “a weave of the different Waray-waray dances”. The group has it’s training in classical ballet for the dancers to have grace, poise and confidence in order to come up with a style that we call creative Philippine Folk Dances. Ideas are taken from traditional dances without losing the identity of the dance with a little touch of neo-classical technique. Artistic Director and Choreographer of the group is no other than Erwin Oscar P. Ripalda while Asst. Choreographer and Trainer is his better half, Ma. Celeste “Chibum” Fuentes-Ripalda.

BALLET

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        Ballet is a formalized kind of performance dance, which originated in the Italian Renaissance courts of the 15th century, and which was further developed in France, Russia, and Britain as a concert dance form. The early portions preceded the invention of the proscenium stage and were presented in large chambers with most of the audience seated on tiers or galleries on three sides of the dancing floor. It has since become a highly technical form of dance with its own vocabulary. It is primarily performed with the accompaniment of classical music and has been influential as a form of dance globally. Ballet has been taught in ballet schools around the world, which use their own cultures and societies to inform the art. Ballet dance works (ballets) are choreographed and performed by trained artists, include mime and acting, and are set to music (usually orchestral but occasionally vocal). It is a poised style of dance that incorporates the foundational techniques for many other dance forms. This genre of dance is very hard to master and requires much practice. It is best known in the form of Late Romantic Ballet or Ballet Blanc, which preoccupies itself with the female dancer to the exclusion of almost all else, focusing on pointe work, flowing, precise acrobatic movements, and often presenting the dancers in the conventional short white French tutu. Later developments include expressionist ballet, Neoclassical ballet, and elements of Modern dance.

Eclesiastes 3:1

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There is an appointed time for everything,

And a time for every affair under the heavens.

A time to be born and a time to die,

A time to plant, and a time to uproot the plant

A time to kill and a time to heal,

A time to tear down and a time to build

A time to weep and a time to laugh,

A time to morn and a time to dance,

A time to scatter stones and a time to gather them

A time to embrace and a time to be far from embraces

A time to seek and a time to lose;

A time keep and a time to cast away

A time to rend and a time to sew

A time to be silent and a time to speak

A time to love and a time to hate;

A time of wor and a time of peace